A quasi-regular enters
the store. She selects four movies and brings the tags up to the
counter. As Fernando fills out the rental slip, she tells him, “I
think I have one of them free.”
Fernando pauses in his
tallying. “Could very well be. Let me check for you.” He sifts
through the full cards in his possession while she waits. “Actually
it doesn't look like you do.”
“Are you sure?” she
asks.
“Pretty sure,” says
Fernando, “But let me double-check.” He goes through the stack
again, this time a bit more slowly. Nothing with her name on it
materializes. “Nope, sorry.”
“Let me see that,”
she says. Fernando shrugs and hands over the clump of cards. She
begins rifling through them but stops after the first five or six.
“How do you know whose are whose?”
“The name is written at
the bottom.”
“Yeah, but how can you
tell whose it is?”
“The name at the
bottom.”
She squints down at the
name written upon the card on the top of the stack and then glares at
Fernando suspiciously. “You can't read that!” This is a fair
statement, as Fernando's penmanship underwent linear degradation
between the time he started learning how to write and today.
Notetaking in university courses in the days before everyone and his
cousin used a laptop necessitated a quick but accurate scrawl, and
once Fernando attained the mantle of Keeper and no longer had to
pretend to make things written on rental slips legible to others, all
pretense of readability went straight out the window.
“I can. But look, you
probably just used it last time you were in. You've got a new one
started in the box and things will progress from there.” Fernando
retrieves her new card from the box and shows that she has a paltry
two stamps upon it.
Though she does not look
entirely satisfied, Fernando's words and actions soothe her worries
enough that no more is spoken of the matter.
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